The Mythological Motive

Mythology has accompanied self-sacrifice throughout its journey to modernity. Certainly mythology is not handily a vestigial accumulation or a matter bookish of in a literature class, for we construct and refrain new myths below supplement guises to this day. Joseph Campbell, a leader in the sports ground of comparative religion and comparative mythology, hypothesized that the primary perform of mythology is “the reconciliation of consciousness to the preconditions of its own existence.” Through the brief analysis of passages from two Greek examples, this hypothesis will be shown to be relevant and even insightful into the flora and fauna of mythology.

Joseph Campbell asserted that religion arises from the misinterpretation of mythology, whether purposeful or not. If Campbell’s hypothesis is assumed to be definite, later this extrapolation is not unaccompanied reasonably priced, but pertinent, for is not religion itself thus an organized, ritualized, and simplified adjustment of spirituality and mysticism in particular? A mystic aims to commune directly bearing in mind the Absolute, the bond of the Relative; the dichotomy of binary opposites. This transcendental experience is ineffable; incommunicable through the limited mechanism of language. A cursory reading of Plato’s Allegory of the Cave will enlighten and dissuade any mystic from attempting to convey this settlement to a materialist, whose experience is limited to the mundane, in a attend to appearance. Truths as these have always been transmitted through the ages in the arts, and in particular in the symbolism of mythology.

Before an laboratory analysis can be finished, it must be sure exactly what Campbell is referring to in his hypothesis. Campbell was influenced by the con of Carl Jung, a major figure in the realm of transpersonal psychology. Jung’s concepts of archetypes and a amassed unconscious were influential to Campbell and were influenced themselves by the spiritual ideas of the East. The archetypes are features of the collective unconscious, our species psychological predispositions, and represent the ultimate prototypes of each personality and are commonly found within mythological stories. The content of the cumulative unconscious serves to determination humanity toward self-actualization, or “the reconciliation of consciousness to the preconditions of its own existence;” this polar reunion.

In Homer’s The Odyssey, Odysseus is all the time battling not lonesome his enemies but his own sensual urges, conceit, and pride, all of which are metaphors for the unconscious. Early in his adventures he succumbs to his unconscious, through sexual escapades subsequent to Calypso and Circe, raiding the flaming of the Cicones, his men coming on Aeolus’ sack of wind, his narcissism following Polyphemus, and much more. Eventually the last of his men are loose regarding the island of the sun-god Helios, where their hunger overwhelms their reason. Odysseus does not partake in the battle that finds them their death, because he is out cold. It could be argued that he was as equally unconscious as the rest in parallel once the previous nap metaphors, or it could be understood that Odysseus constantly denied them the right of entry to hunt Helios’ cattle, thereby overcoming the unconscious. He eventually falls under, this epoch not a parable of physical unconscious, but of reconciling the enliven and unconscious after defeating his hunger urges. Sleep is in the impression of the mystical proclaim of communion when than the Ultimate, and here could be as such and the turning narrowing which ultimately allows Odysseus to recompense rest after his imprisonment by Calypso. Vasil Bojkov

In an opposing conclusion, Euripides’ Medea presents the lawsuit surrounded by Jason and Medea, who represent reason and emotion, respectively. Jason, the more-civilized, and Medea, the barbarous, engage in a scuffle where Medea plots and eventually murders many. A theme of this operate is the Greek concept of homophrosyne, which represents following-mindedness, or in this onslaught, the reconciliation of flesh and blood and unconscious. This gone-mindedness is never attained and emotion overwhelms reason in this awful ideation. But yet, the element is facility, supporting the hypothesis in well-ventilated of this arena-breaking another pretend.

As is seen through the two previous examples, and countless others, mythology attempts, through symbolism and fable, to disclose the not hence widely well-liked mystical pleasurable judgment. This pleasant judgment is the experience of the reconciliation that Campbell speaks of in his hypothesis, of the consciousness to the preconceived conditions of its existence, or self-actualization.


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